Pros: The second iteration of a well-designed wireless home stereo connection kit, enabling your iPod to serve as a remote control and jukebox for any pair of speakers – incredibly even through walls or a full 100 feet away. Uses Bluetooth 2.0+EDR wireless standard to provide virtually indistinguishable from original CD-quality audio. Included cable and transmitter pass-through port let you charge iPod while transmitter’s connected.
Cons: Price is somewhat high by category’s historic best levels. Battery drain on transmitter limits fifth-generation iPod use to approximately 5 continuous hours of playback before iPod’s full charge is depleted; other models vary in performance (lower) by sizes of their batteries.
As an enhanced version of Belkin’s earlier TuneStage, a device which lets you use your iPod as a wireless remote control-slash-jukebox for your home stereo system, TuneStage 2 improves upon the prior version’s technology, yet sells for $20 less. The newly black and metallic gray model uses Bluetooth 2.0 + EDR, the latest version of the Bluetooth wireless technology, which is capable of higher-quality, lower power-consumption audio transmission performance than earlier Bluetooth devices, while still operating from over 30 foot distances, and promises up to 7 hours of playtime when connected to an iPod. Surprisingly, the new Dock Connecting iPod transmitter has a pass-through charging port, allowing you to charge your iPod through the unit’s stereo receiver via an included USB cable.
The transmitter also uses Belkin’s special enhanced Dock Connector plug so that it can be connected to iPods that are still inside many cases, and the receiver retains its abiity to be mounted on a wall. A power adapter and minijack-to-RCA audio cable are also included in the box.
More than a year ago, we reviewed Belkin’s TuneStage (iLounge rating: B+), a router-like Bluetooth wireless kit designed to let an iPod or iPod mini serve as both a remote control and jukebox for a home stereo. Now Belkin has released TuneStage 2 ($150), an updated version that does the same things, though generally better and at a slightly lower price than before.
The original TuneStage shipped in glossy white and silver colors designed to match then-current iPods, but the sequel ships in black and metallic gray, colors intended to match home AV equipment and the subsequently more popular black iPods. You still get a power supply for the wireless receiver, which connects via two types of ports (minijack or RCA) with included audio cables to your home stereo, and the receiver retains its ability to be mounted on a wall with a specially designed hard rubberized bottom surface.
There’s a power switch on the unit’s back, and a flashing blue receiver light on the front, but no optical output port, a feature introduced in Griffin’s competing BlueTrip wireless kit (iLounge rating: B+). Asked about the omission, Belkin noted that adding an optical out would suggest that the system was outputting true digital output directly from the iPod, which it is not, a reasonable explanation, but unfortunate given that TuneStage 2 sounds great, and some users would like the option to connect optical cables, regardless.
Though it is as easy and quick to properly pair with the receiver as before – both good things – this year’s transmitter has changed more than a bit in features. On the “obvious” list, it now connects to the bottom of an iPod rather than its top, measuring the width and thickness of a 30GB fifth-generation model, and also fitting comfortably if not beautifully on the bottom of smaller nanos.
Additionally, if you connect an included USB cable to a USB port on the TuneStage 2 receiver’s back side, you can charge your iPod without removing the transmitter, a nice little feature. Like Belkin’s earlier TuneFM and TuneTalk Stereo peripherals, the transmitter also includes Belkin’s special enhanced Dock Connector plug, which lets it connect to iPods that are still inside many cases.
But what’s really impressive is the technology under the hood. Unlike TuneStage, which used the near-CD-quality data transmission standard Bluetooth 1.2, TuneStage 2 uses the latest version of the Bluetooth wireless technology called 2.0+EDR, and consequently is capable of higher-quality sound and somewhat lower power consumption. Sound piped through our test stereos sounded as clean as the source material – no easy feat – and didn’t exhibit any of the bass omission issues we heard in the first TuneStage sample we tested last year.
The astonishing thing about TuneStage 2 is the factor by which it exceeds the 2.0 + EDR’s minimum performance standards: rather than working from only a 33-foot minimum distance, the transmitter and receiver actually worked reliably when a full 100 feet away from one another, and through walls. We use the word “astonishing” because this performance is literally the best we’ve seen on a Bluetooth device, rivaling the distance and audio experience we recently had with Keyspan’s TuneView for iPod. With TuneStage 2, you gain the ability to use the iPod as your remote control, and pay a little less, but sacrifice all video functionality in the process.
So why does Belkin market TuneStage 2 as only a 33-foot solution when it’s really capable of 100-foot performance? One reason: Bluetooth labeling rules. Though the system can pair with other companies’ Bluetooth 2.0 devices, such as headphones, it can’t promise similarly superb distance performance with everything else that’s Bluetooth-certified.
